Mission & Historylike
Silent-era filmmakers produced masterpieces that can seem breathtakingly modern. In a remarkably short time after the birth of movies, filmmakers developed all the techniques that would make cinema its own art form. The only technique that eluded them was the ability to marry sound to the film print, but these films were never meant to be viewed in silence and it is often obvious that music was a part of the production as well as the exhibition. The absence of recording on the set, though, meant that the camera was free to move with a grace and elegance that allowed visual storytelling to flourish and made film more than just an adjunct to the stage.
It is through these films that the world first came to love movies and learned how to appreciate them as art. They have influenced every generation of filmmakers and continue to inspire audiences nearly a century after they were made.
Almost twenty years ago, Melissa Chittick and Stephen Salmons had a magnificent idea. They wanted to share their love of early cinema with the world and they knew that presenting silent films as they are meant to be seen—in beautiful prints on a big screen with live musical accompaniment—could thrill modern audiences. Today, their creation has outstripped their wildest dreams and grown into the largest and most prestigious silent film festival outside of Pordenone, Italy.
Over the years, the San Francisco Silent Film Festival has become an internationally renowned destination for filmmakers, scholars, and movie lovers. Every July enthralled audiences partake of new discoveries and old favorites accompanied by the likes of the Matti Bye Ensemble, Mont Alto Motion Picture Orchestra, Alloy Orchestra, Stephen Horne, Donald Sosin, and Dennis James on the Castro Theatre’s world-famous Mighty Wurlitzer organ.
In the last 17 years, the festival has presented more than 150 rare and classic silent films, all with live music performed by the most accomplished composers and musicians in the field.
We have published over 140 original essays by local writers and key figures in silent-film history, preservation, and music, and we have supported film preservation efforts by exhibiting major restorations, as well as by direct funding and a fellowship for emerging archivists.
The Festival has commissioned new scores that have set a new standard for excellence in film accompaniment.
Every year the Festival brings authors, archivists, and filmmakers to the stage to help audiences appreciate the history, preservation, and continuing influence and importance of these early works of cinema art.
In 2012, the year when Michel Hazanavicius’s paean to the silent era—The Artist—won the Academy Award for Best Picture, the San Francisco Silent Film Festival celebrated its 17th year exhibiting the artistry, diversity, and enduring value of silent movies. In March, the Festival presented the American premiere of Kevin Brownlow’s 51/2 -hour restoration of Abel Gance’s legendary Napoleon with Carl Davis conducting his celebrated score—truly the cinema event of a lifetime!
When founders Melissa Chittick and Stephen Salmons inaugurated the San Francisco Silent Film Festival in 1992, more than 1,800 people came to the first festival—which featured one film. Annual attendance has grown over the years to 12,000, and in 2012, the festival featured seventeen programs over four days. The organization now involves a ten-person board of directors, a staff of three, a twenty-seven-member Advisory Committee, and dozens of event volunteers.